Nan of Music Mountain Page 2

  “You are young, ambitious: four thousand a year isn’t hanging from every telegraph-pole; it is almost twice what they are paying me.”

  “You’re not getting shot at.”

  “No man, Henry, knows the hour of his death. No man in the high country knows when he is to be made a target––that you well understand. Men are shot down in this country that have no more idea of getting killed than I have––or you have.”

  “Don’t include me. I have a pretty good idea of getting killed right away––the minute I take this job.”

  “We have temporized with this Calabasas outfit long enough,” declared Jeffries, dropping his mask at last. “Deaf Sandusky, Logan, and that squint-eyed thief, Dave Sassoon––all hold-up men, every one of them! Henry, I’m putting you in on that job because you’ve got nerve, because you can shoot, because I don’t think they can get you––and paying you a whaling big salary to straighten things out along the Spanish Sinks. Do you know, Henry––” Jeffries leaned forward and lowered his tone. Master of the art of persuading and convincing, of hammering and pounding, of swaying the doubting and deciding the undecided, the strong-eyed mountain-man looked his best as he held the younger man under his spell. “Do you know,” he repeated, “I suspect that Morgan Gap bunch are really behind and beneath a lot of this deviltry around Calabasas? You take Gale Morgan: why, he trains with Dave Sassoon; take his uncle, Duke: Sassoon never is in trouble but what Duke will help him out.” Jeffries exploded with a slight but forcible expletive. “Was there ever a thief or a robber driven into Morgan’s Gap that didn’t find sympathy and shelter with some of the Morgans? I believe they are in every game pulled on the Thief River stages.”

  “As bad as that?”

  Jeffries turned to his desk. “Ask John Lefever.”

  De Spain had a long talk with John. But John was a poor adviser. He advised no one on any subject. He whistled, he hummed a tune, if his hat was on he took it off, and if it happened to be off, which was unusual, he put it on. He extended his arm, at times, suddenly, as if on the brink of a positive assertion. But he decided nothing, and asserted nothing. If he talked, he talked well and energetically; but the end of a talk usually found him and de Spain about where they began. So it was on this trying day––for Lefever was not able wholly to hide the upsetting of his confidence of victory, and his humiliation at the now more distant yells from the Calabasas and Morgan Gap victors.

  But concerning the Morgans and their friends, Lefever, to whom Jeffries had rudely referred the subject at the close of his talk with de Spain, did abandon his habitual reticence. “Rustlers, thieves, robbers, coiners, outlaws!” he exclaimed energetically.

  “Is this because they got your money to-day, John?” asked de Spain.

  “Never mind my money. I’ve got a new job with nothing to do, and plenty of cash.”

  De Spain asked what the job was. “On the stages,” announced Lefever. “I am now general superintendent of the Thief River Line.”

  “What does that mean?”

  “It means that I act for the reorganization committee in buying alfalfa for the horses and smokeless pipes for the guards. I am to be your assistant.”

  “I’m not going to take that job, John.”

  “Yes, you are.”

  “Not if I know it. I am going back to Medicine Bend to-night.” Lefever took off his hat and twirled it skilfully on one hand, humming softly the while. “John,” asked de Spain after a pause, “who is that girl that shot against me this afternoon?”

  “That,” answered Lefever, thinking, shocked, of Jeffries’s words, “was Nan Morgan.”

  “Who is she?”

  “Just one of the Morgans; lives in the Gap with old Duke Morgan, her uncle; lived there as long as I can remember. Some shot, Henry.”

  “How can she live in the Gap,” mused de Spain, “with an outfit like that?”

  “Got nowhere else to live, I guess. I believe you’d better change your mind, Henry, and stay with us.”

  “No,” returned de Spain meditatively, “I’m not going to stay. I’ve had glory enough out of this town for a while.” He picked up his hat and put it on. Lefever thought it well to make no response. He was charged with the maintenance and operation of the stage-line arsenal at Sleepy Cat, and spent many of his idle moments toying with the firearms. He busied himself now with the mechanism of a huge revolver––one that the stage-driver, Frank Elpaso, had wrecked on the head of a troublesome negro coming in from the mines. De Spain in turn took off his hat, poked the crown discontentedly, and, rising with a loss of amiability in his features and manner, walked out of the room.

  The late sun was streaming down the full length of Main Street. The street was still filled with loiterers who had spent the day at the fair, and lingered now in town in the vague hope of seeing a brawl or a fight before sundown––cattlemen and cowboys from the northern ranges, sheepmen from the Spider River country, small ranchers and irrigators from the Bear basin, who picked their steps carefully, and spoke with prudence in the presence of roisterers from the Spanish Sinks, and gunmen and gamblers from Calabasas and Morgan’s Gap. The Morgans themselves and their following were out to the last retainer.

  * * *

  CHAPTER II

  THE THIEF RIVER STAGE LINE

  Sleepy Cat has little to distinguish it in its casual appearance from the ordinary mountain railroad town of the western Rockies. The long, handsome railroad station, the eating-house, and the various division-headquarters buildings characteristic of such towns are in Sleepy Cat built of local granite. The yard facilities, shops, and roundhouses are the last word in modern railroad construction, and the division has not infrequently held the medal for safety records.

  But more than these things go toward making up the real Sleepy Cat. It is a community with earlier-than-railroad traditions. Sleepy Cat has been more or less of a settlement almost since the day of Jim Bridger, and its isolated position in the midst of a country of vast deserts, far mountain ranges, and widely separated watercourses has made it from the earliest Western days a rendezvous for hunters, trappers, emigrants, prospectors, and adventurers––and these have all, in some measure, left their impress on the town.

  Sleepy Cat lies prettily on a high plateau north and east of the railroad, which makes a détour here to the north to round the Superstition Range; it is a county-seat, and this, where counties are as large as ordinary Eastern States, gives it some political distinction.

  The principal street lies just north of the railroad, and parallels it. A modern and substantial hotel has for some years filled the corner above the station. The hotel was built by Harry Tenison soon after the opening of the Thief River gold-fields. Along Main Street to the west are strung the usual mountain-town stores and saloons, but to the north a pretty residence district has been built up about the court-house square. And a good water-supply, pumped from Rat River, a brawling mountain stream that flows just south of the town, has encouraged the care of lawns and trees.

  Before de Spain had walked far he heard music from the open-air dancing-pavilion in Grant Street. Stirred by an idle curiosity, he turned the corner and stopped to watch the crowded couples whirling up and down the raised platform under paper lanterns and red streamers to the music of an automatic piano. He took his place in a fringe of onlookers that filled the sidewalk. But he was thinking as he stood, not of the boisterous dancing or the clumsy dancers, but of the broken lever and the defeat at the fair-grounds. It still rankled in his mind. While he stood thinking the music ceased.

  A man, who appeared to be in authority, walked to the centre of the dancing-floor and made an announcement that de Spain failed to catch. The manager apparently repeated it to those of his patrons that crowded around him, and more than once to individual inquirers who had not caught the purport of what had been said. These late comers he pushed back, and when the floor had been well cleared he nodded to the boy operating the piano, and looked toward a young couple standing in an a
ttitude of waiting at the head of the hall.

  All eyes being turned their way, de Spain’s attention as well was drawn toward them. The man was powerful in stature, and rather too heavy, but straight as an Indian. His small, reddish face was tanned by the sun and wind, and his manner as he stood with arms akimbo, his hands resting on his belt, facing his partner and talking to her, had the confidence of a man at ease with women. From the handsome hat which, as he turned to his partner for the dance, he sent spinning toward a table beside the piano, the soft brown shirt and flowing tie, down to the small, high-heeled and spurred boots, he wore the distinctive cowboy rig of the mountains, even to the heavy hip-holster, in which his revolver was slung. He was, in fact, rather too smartly dressed, too confident in manner to please de Spain, who was in no mood to be pleased anyway, and who could conceive a dislike for a man the instant he set eyes on him––and a liking as quickly. He seemed to recall, too, that this particular fellow had crowed the loudest when he himself forfeited the shooting-match earlier in the day.

  But de Spain, unamiable as he now was, looked with unconcealed interest at the man’s dancing partner. She, too, was browned by the mountain sun and air––a slight, erect girl, her head well set, and a delicate waist-line above a belted brown skirt, which just reached the tops of her small, high, tan riding-boots. She wore a soft, French-gray Stetson hat. Her dark-brown hair was deftly hidden under it, but troublesome ringlets strayed about her ears as if she had not seen a glass for hours, and these, standing first with one hand and then the other laid against her leather belt, she put up into place, and as if not wholly at ease with her surroundings. Instead of looking at her partner, who talked to her while waiting, her eyes, noticeably pretty, wandered about the platform, resting at moments on the closely drawn lines of spectators. They reflected in their unrest the dissatisfied expression of her face. A talkative woman standing just in front of de Spain, told a companion that the man was Gale Morgan, a nephew of Satterlee, laziest of the Morgans. De Spain, who never had to look twice at any woman, at once recognized in the dancing partner the little Music Mountain girl who had been his undoing at the target; the woman added that Nan was, in some hazy degree, Gale’s cousin.

  The energetic piano thumped the strains of a two-step. Gale Morgan extended his arm toward Nan; she looked very slight at his side. But instead of taking her position, she drew back, looking up and frowning as she seemed to speak objectingly to Gale. De Spain saw her hesitation without catching its import. The talkative woman near at hand was more divining. “Lord, that Nan Morgan makes me tired,” she exclaimed to her gum-chewing companion, “ever see anything like her? First she wouldn’t dance unless the floor was cleared––Sleepy Cat folks ain’t good enough for them Music Mountain cattle thieves! And now the music doesn’t suit her. Listen to that boob of a boy trying one piece after another to get one to suit my outlaw lady. Nerve!”

  But while the impatient woman chafed the right tune was found, and Nan Morgan’s face, as she watched the manipulator of the piano, brightened. “Faster!” she cried under her breath, taking her position on her cousin’s arm. Then, responding with a sort of fiery impatience to her partner’s guiding, she caught the rapid step of the music, and together the two swept down the floor.

  Whatever the impatience of the crowd over the finicky start, the spectators soon showed their admiration of the dancing with unrestrained hand-clapping, and followed with approving outcries. De Spain, standing apart, watched Nan’s flying feet, wondering how she and her people could possibly be what they were painted, and whether they really were so or not. Every swaying step, every agile turn proved how sure she was of herself, and how perfectly her body answered to every exaction of the quick movement of the dance. Gale Morgan seemed the merest attendant for his partner, who, with quickened pulses, gave herself up more and more to the lively call of the music.

  Once the two swung away out, near to de Spain’s corner. As Nan whirled by, de Spain, either with the infection of the music or from her nearness to him, caught his breath. His eyes riveted themselves on her flushed face as she passed––oblivious of his presence––and he recalled how in the morning she had handled her rifle in the same quick, sure way. De Spain could not dance at all; but no one could successfully accuse him of not knowing how to handle any sort of a gun. It was only now, as she came so very close to him for the first time since the mortification of the morning, and he saw the smoothness of her pink-brown cheeks, that he could ungrudgingly give her full credit for shooting him down. He forgave her, unasked, the humiliation she had put on him. He felt an impulse to go up to her––now that she had stopped dancing––and congratulate her honestly, instead of boorishly as he had done at the match, and to say, unreservedly, that she was the better shot––indeed, one of the best he had ever seen.

  But while he thought all of this he did not stir a step. The two dancers at once disappeared, and a new and rougher party crowded out on the floor.

  “Now, isn’t that a pretty bunch!” exclaimed the critical woman again. “That’s the Calabasas gang. Look at those four men with the red neckerchiefs. Sandusky, that big fellow, with the crooked jaw––Butch, they call him––and his jaw’s not half as crooked as Sandusky himself, either. He couldn’t lie in bed straight. And Harvey Logan, with his black hair plastered over his eyes. Why, for one drink those two fellows would turn loose on this crowd and kill half a dozen. And there’s two of Duke Morgan’s cowboys with them, boozing old Bull Page, and that squint-eyed Sassoon––he’s worse than the others, that fellow––a fine bunch to allow in this town.”

  De Spain had excellent ears. He had heard of these Calabasas men––of Sandusky and of the little fellow, Logan. They had much more than a local reputation as outlaws; they were known from one end of the Superstition Range to the other as evil-doers of more than ordinary ruthlessness. De Spain, from force of habit, studied every detail of their make-up. Both showed more than traces of drink, and both securing partners joined rudely in the dancing. It had become second nature to de Spain to note even insignificant details concerning men, and he took an interest in and remarked how very low Logan carried his gun in front of his hip. Sandusky’s holster was slung higher and farther back on the side. Logan wore a tan shirt and khaki. Sandusky, coatless, was dressed in a white shirt, with a red tie, and wore a soiled, figured waistcoat fastened at the bottom by a cut-glass button.

  The Sleepy Cat gossip commented on how much money these men had been spending all day. She wondered aloud, reckless apparently of consequences, who had been robbed, lately, to provide it. Her companion scolded her for stirring up talk that might make trouble; averred she didn’t believe half the stories she heard; asserted that these men lived quietly at Calabasas, minding their own affairs. “And they’re kind to poor folks, too.” “Sure,” grimaced the obdurate one, “with other people’s money.” De Spain had no difficulty in placing the two women. One was undoubtedly the wife of a railroad man, who hated the mountain outlaws, and the other was, with equal certainty, a town sympathizer with slandered men, and the two represented the two community elements in Sleepy Cat.

  De Spain, discontented, turning again into Main Street, continued on toward the Thief River stage barn. He knew an old Scotch Medicine Bend barnman that worked there, a boyhood friend; but the man, McAlpin, was out. After looking the horses over and inspecting the wagons with a new but mild curiosity, awakened by Jeffries’s proposal, de Spain walked back toward the station. He had virtually decided not to take the job that Jeffries painted as so attractive, and resolved now to take the night train back to Medicine Bend. Medicine Bend was his home. He knew every man, woman, and child in the town. Before the tragic death of his father, his mother had lived there, and de Spain had grown up in the town and gone to school there. He was a railroad man, anyway––a modest trainmaster––and not eager for stage-line management.

  The prospect of reducing the Sinks to a law-and-order basis at his own proper risk could not be alluring to th
e most aggressive of law-and-order men––and de Spain was not aggressive. Yet within a moment of his sensible decision he was to be hurried by a mere accident to an exactly contrary fate.

  As he passed Grant Street again he encountered a party on horseback heading for the river bridge. Trotting their horses leisurely, they turned the corner directly in front of de Spain. There were five in the company. Three of the men were riding abreast and a little ahead. Of these, the middle horseman was a spare man of forty years, with a black military hat, and a frankly disreputable air. His face was drawn up into a one-sided smile, marked by a deep, vertical wrinkle running up, close to his nose, from the corner of his mouth almost to the inner corner of his eye. Satt Morgan’s smile was habitual and lessened his stern aspect. At his right rode his cousin, Duke Morgan, older, shorter, and stouter. His square, heavy-jawed, smooth-shaven face was lighted by hard, keen eyes, and finished by an uncompromising chin. Duke was the real head of the clan, of which there were numerous branches in the Superstition Mountains, all looking with friendliness or enmity to the Morgans of Morgan’s Gap.

  The yellow-haired man riding on the left, with a red face and red-lidded, squinting eyes, was in stature something between the two Morgans, and about the age of the elder cousin. His shoulders slouched, and he showed none of the blood of his companions. But this man, David Sassoon, the Calabasas gambler, quondam cowboy, and chronic brawler, stood in some way close to the different Morgans, and was reputed to have got each of them, at different times, out of more than one troublesome affair, either by sheer force of arms, or through his resourceful cunning.

  These men were followed by a younger man riding with a very young woman. De Spain knew none of the front-rank men, but he knew well Nan Morgan and her dancing partner.

  They were talking together, and Nan seemed from her manner at odds with her companion. He appeared to be trying to laugh the situation off when he caught sight of de Spain pausing for them to pass. Gale’s face lighted as he set eyes on him, and he spoke quickly to Nan. De Spain could not at first hear his words, but he needed no ears to interpret his laugh and the expression on his face. Nan, persistently importuned, looked around. She saw de Spain, much closer, it would seem, than she had expected to see a man looking directly at her, and her eyes rested on him only a moment. The substance of her cousin’s words she apparently had not caught, and he repeated them in a louder voice: “There’s your handsome Medicine Bend gunman!”